The influence of Classicism in interior design (unlike that of Gothicism) has never gone entirely out of fashion. Even in the 1950s and 1960s, lots of farm houses were decorated with minute vestigial front-looking gables supported with wrought-iron peaks as respect to the Greco-Roman portico. When it comes to design the classically enthused interior, we might allow that we are not attempting to build a precise museum-quality duplicate. Nonetheless, we may take a little license with adornment. The right sense of proportion and scale has to be honored, lest the completed work seems unbalanced. What follows next are some fundamental decorative-design elements and concepts which are consistently inherent Classicism in interior design.
Proportion and scale are greatly imperative keys to the accurately designed Classical exterior and interior. The antique Greeks unearthed the formulas which created the scheme of proper ratios of width versus height. When these ratios are dishonored, the structure rather looks incorrect. These ratios have to be taken into consideration by design and construction experts when making design and building a dwelling.
If pilasters or columns are too slim, or the massing of the building is not proportional, the way the building "feels" (whether it is stable structurally or not) is bound to be not steady and uncomfortable aesthetically. Classicism in interior design despises asymmetry; the root of proper Classical interior design is either radial or vertical symmetry. In most cases, there are equal numbers of brackets, columns, and openings. Doors and windows are spaced in an even way, and are never crowded.
When considering materials peculiar to Classicism in interior design, it is best to take into account the history and objective of the original designers. The Romans and Greeks employed masonry and stone construction, while architects of succeeding centuries used indigenous materials to imitate their forefathers. In the late 18th century in Bath, England, the indigenous yellow-ochre stone was employed to create the Classical crescents.
Several other patterns to distinguish the Classicism in interior design. In addition, to all those columns, there are dentil moldings, Palladian windows, and Acanthus leaves applied to corbels, brackets, and capitals. The fasces pattern appears quite frequently. Essential geometric shapes - square, circle, and triangle - are the construction blocks of Classical style, amplified by graceful "C" and "S" curves. Balustrade turnings have a tendency to be variations on the well-known vase and ring forms
In the end, it's worth mentioning that the early 19th century new movement, Neo-Classicism, conceived and was for the most part based on classical designs of Classicism. Technically, Neo-Classicism is a movement that grew out of a rational, critical re-examination of the classical style, using elements of antique arts, with regard to Enlightenment ideals.